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Gingerbread Lady |
by Michael Lee Johnson
Gingerbread lady,
no sugar or cinnamon spice;
years ago arthritis and senility took their toll.
Crippled mind moves in then out, like an old sexual adventure
blurred in an imagination of fingertip thoughts.
Who in hell remembers the characters?
There was George, her lover, near the bridge at the Chicago River:
she missed his funeral; her friends were there.
She always made feather-light of people dwelling on death,
but black and white she remembers well.
The past is the present; the present is forgotten.
Who remembers Gingerbread Lady?
Sometimes lazy-time tea with a twist of lime,
sometimes drunken-time screwdriver twist with clarity.
She walks in scandals; sometimes she walks in soft night shoes.
Her live-in maid smirks as Gingerbread Lady gums her food,
false teeth forgotten in a custom-imprinted cup
with water, vinegar, and ginger.
The maid died. Gingerbread Lady looks for a new maid.
Years ago, arthritis and senility took their toll.
Yesterday, a new maid walked into the nursing home.
Ginger forgot to rise out of bed;
no sugar, or cinnamon toast.
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Harvest Time |
by Michael Lee Johnson
A Métis Indian lady, drunk,
hands blanketed over as in prayer,
over a large brown fruit basket
naked of fruit, no vine, no vineyard
inside -- approaches the Edmonton,
Alberta adoption agency.
There are only spirit gods
inside her empty purse.
Inside, an infant,
restrained from life,
with a fruity wine sap apple
wedged like a teaspoon
of autumn sun
inside its mouth.
A shallow pool of tears starts
to mount in native blue eyes.
Snuffling, the mother offers
a slim smile, turns away.
She slithers voyeuristically
through near slum streets,
and alleyways,
looking for drinking buddies
to share a hefty pint
of applejack wine.
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Charley Plays a Tune |
by Michael Lee Johnson
Crippled with arthritis
and Alzheimer's,
in a dark rented room,
Charley plays
melancholic melodies
on a dust filled
harmonica he
found abandoned
on a playground of sand
years ago by a handful of children
playing on monkey bars.
He now goes to the bathroom on occasion,
relieving himself takes forever; he feeds the cat when
he doesn't forget where the food is stashed at.
He hears bedlam when he buys fish at the local market
and the skeleton bones of the fish show through.
He lies on his back riddled with pain,
pine cones fill his pillows and mattress;
praying to Jesus and rubbing his rosary beads
Charley blows tunes out his
celestial instrument
notes float through the open window
touch the nose of summer clouds.
Charley overtakes himself with grief
and is ecstatically alone.
Charley plays a solo tune.
Michael Lee Johnson is a poet and freelance writer from Itasca, Illinois. His brand new poetry chapbook with pictures From Which Place the Morning Rises and his new photo version of The Lost American: From Exile to Freedom are available at stores.lulu.com/promomanusa.
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